Showing posts with label Light On. Show all posts
Showing posts with label Light On. Show all posts

Monday, November 9, 2009

We were there: David Cook at the Palladium Ballroom - article

12:24 AM Mon, Nov 09, 2009
Joy Tipping/Reporter


Those who worried that David Cook's status as an American Idol winner might soften his rock edge needn't have fretted. At Sunday's show at the Palladium Ballroom, Cook played and sang pounding, feel-it-in-every-cell-in-your-body rock that had the audience -- which, no doubt due to Idol, included a boomer contingent much larger than you'd normally see at that venue -- frenetically grooving for more than an hour. One song, the psychedelically addictive "Bar-ba-sol," gave me the pleasantly loopy feeling that I had somehow ingested large amounts of mind-altering drugs, even though I was stone-cold sober.

The singer-guitarist performed a hefty chunk from his platinum 2008 album David Cook: "Declaration," "Light On," "I Did It For You," the current single "Come Back to Me," and an especially blistering "Lie to Me."

Note to Palladium Ballroom: It'd be nice, since no one ever actually answers your box-office phone, if you'd post the start times of the opening acts on your Web site, along with the time the star performer is going on. The posted time for Sunday's concert was 6:30 p.m. Cook didn't go on till nearly 9:30, after opening acts the Script and Green River Ordinance. No one should have to stand for three or four hours (Palladium is SRO) before the act they came to see, just so the opening acts will have an audience. If you want to see them, fine; if not, you should have the option to show up just for the headliner. And the Palladium should have the courtesy to at least answer its box-office phones an hour or so before the stated start time of any concert.

For a full review of the concert, check here on Monday afternoon.

PHOTO by Joy Tipping

Tuesday, December 2, 2008

David Cook - Analog Heart and David Cook The Album (DCTA) comparison

I went to my itunes player and created a playlist with Analog Heart and DCTA (David Cook The Album), then listened to the songs on shuffle. I wanted to see how the old and new songs compared to one another, as if they were all put in one big giant album.

To be quite honest, the only ones that really, really stood out from the mix as being out of place are Light On and Time of My Life. Light On seems much more commercial than anything else David as done, including the rest of his new album. And Time of My Life is much sweeter, much cheesier than anything else he's done as well. Not to say I don't like those two songs - I actually really, really love them (yes, even the Magic Rainbow! It makes me smile), but I feel they don't really mix in with the rest of the songs. It's not too surprising, really, seeing as David was not involved in the writing of those. Curiously, Come Back To Me was another song that David had no hands in writing, but it feels more like "him" than Light On and Time of My Life, somehow.

Both albums have the same beautiful vocals from David. There are a few more bells and whistles in DCTA than in AH, and I could do without them, but all in all it really is not that bad. Both albums feature those typical glory notse, growly voice, softer, deeper voice... But one big difference on DCTA is that David explores even more his vocal capacities and talents. We find on the new album some really low tones, velvety whispers, gorgeous falsettos, straight up gravely rock voice and plain, unaffected tones, all of which are absent from AH. It also seems that David has perfected his vocal techniques for the new album. His voice is more on point, clearer, more elaborate. Could be due to the mixing and producing, but I suspect David worked on his voice in the last year and has discovered some new found talents. And I for one couldn't be happier! I absolutely adore all sides of David's voice.

I feel that there are a few new songs that carry the "THAT is David Cook!" stamps - Declaration, Mr. Sensitive, Lie, Avalanche, A Daily AntheM, Breath Tonight and Kiss On The Neck. All of them remind me of AH, except for Kiss On The Neck, which is totally reminiscent of the kind of music he did with Axium and even MWK. Lie is another "The Truth", full of passion, hurt, raw feelings that just need to come out. I feel so much on this one. I have not gotten as much into Permanent as some out there, and it is a conscious choice. That song is so full of angst, anger, raw emotions, sadness and I fear that if I let myself get into it I'll just completely loose it. So this might be another The Truth in the making for me. Or rather this is reminiscent of "AC" from DC's Axium days.

I've read many places that people are complaining about so many mid-tempo songs on the new album. I am not all that surprised. Yes, sure, David is a rocker, and he loves the gritty, raw power of his rock vocals and the electric guitar and all that. Analog is not all fast tempo rock songs, nor are his previous albums with Axium. So I am not really surprised he's got lots of mid-tempo songs on his new album. But I was happy to see the faster tempo, more rock based songs such as Bar-ba-sol, and Declaration and Heroes, A Daily AntheM even to an extend. They just plain ROCK!!!

A note on the music - I can really hear Neal's influence all over this album. There are a few songs that remind me of MWK, others of AH. Knowing how involved Neal was in those albums, it only makes sense that I can hear him on DCTA. Also, the production and mix is much better on DCTA - not that AH was bad.... Whoever did it did a great, great job. But the better studio and better equipment can be heard in the production on DCTA, and that is a huge plus. Although I have to be honest and say that I love this raw aspect of AH - I wouldn't want that album to be re-recorded in a better studio and better produced. It would take away so much for me.

So to me, this new album really is David Cook, much more than the first single Light On led us to believe. I cannot for the life of me say which album I prefer - I love them both for different reasons. One thing is for sure, those new songs ARE David Cook. I love all the songs, old and new!

Wednesday, November 19, 2008

Monday, November 17, 2008

David Cook - Good Morning America - November 17 2008 -VIDEO

Includes “Heroes”, Stephen Colbert, Snip of Mr. Sensitive, Interview with Diane Sawyer, and “Light On”




Commercial for the album:

Thursday, November 13, 2008

David Cook @ Do the Wright Thing Benefit, NYC, Nov 12 2008 - VIDEOS

David Wright introducing David Cook (vid from brookie8281)



Declaration (vid from SPN7191)



Mr Sensitive (vid from brookie8281)



Lie (vid from mjmkm1)



Life On The Moon and Light On (vid from Trey1726)



David and Kyle on drums, Bar-ba-sol (vid from mjmkm1)

David Cook on TLR, Nov 08 - VIDEO and PICTURES




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Thursday, November 6, 2008

Official RCA Release - David Cook self titled album


Millions of people around the country fell in love with rock belter David Cook while watching him make other people’s songs his own week after week on the seventh season of American Idol. Cook won the competition handily thanks to viewers connecting with his rich, unfettered voice and passionately intense performances, not to mention his down-to-earth Midwestern charm. Now, with the release of his self-titled major-label debut, this gifted 25-year-old is eager to show those fans what he can do when he’s in the driver’s seat.

“I went on Idol with a five-card hand and showed three of my cards,” Cook says. “Now it’s time to put down the other two. There’s a lot I haven’t shown the world, just as far as who I am and what I’m about. I have several layers as an artist and those layers are out there on this record. I don’t see myself ever writing an autobiography; I’m just going to let the music speak for itself.”

And it does — loud and clear. David Cook is a statement-making album, filled with bold, keenly felt songs that showcase Cook’s powerful vocal chops and considerable songwriting talent, as well as the versatility that made him a star on Idol. The first single “Light On,” with its Southern rock vibe, is light years away from the gut-wrenching ballad “Permanent,” which couldn’t be more different than the swaggering shredder “Bar-Ba-Sol.”

“I wanted to make an eclectic album that went places,” Cook says. “This is my first major-label release and that gave me some room to be a bit of a chameleon and try different things. So there’s a diversity of influences on this record. When we were going through the process, I wasn’t sure how we were going to tie everything together.” That job fell to producer Rob Cavallo, a veteran studio wiz who has helmed hit albums for Green Day, My Chemical Romance, and Kid Rock, among many others. “Rob did a great job of tuning in to who I am as a person,” Cook says. “He really made the songs fit me, as opposed to tailoring them to fit someone else’s perception of me.”

Cook also gives props to his songwriting collaborators, an illustrious list that includes former Soundgarden and Audioslave frontman Chris Cornell, Goo Goo Dolls frontman Johnny Rzeznik, Nixons singer/guitarist Zac Maloy, and Our Lady Peace frontman Raine Maida, one of Cook’s longtime idols. Cook co-wrote three songs with Maida, including “Heroes,” which he describes as an homage to his supportive family, and “Permanent,” a song addressed to his older brother Adam who is battling brain cancer.

“We recorded ‘Permanent’ in two takes and everyone in the room was crying,” Cook recalls. “I actually had to leave at one point because it was so emotional. As a musician, any time you can create something where the end result is exactly what’s in your head, well there’s a heaviness to that moment and it overwhelmed me. I’ve been writing songs for ten years and that was the first time I’d felt it. I think there’s an honesty throughout the record that culminates in that song.”

“Permanent” comes near the end of an album that is full of highlights, from the chiming opener “Declaration” (which Cook likens to “me standing on top of a building and declaring my intentions for this album”) to the arena-friendly sing-along closer “A Daily AntheM,” and everything in between, including the propulsive “Come Back To Me” and the poignant “Lie,” both of which illustrate the album’s recurring theme. “It’s the idea of love amidst separation,” Cook explains. “‘Come Back To Me’ is about loving someone you can’t be near, whereas ‘Lie’ is about being in a dysfunctional relationship that you don’t want to end because you still see the good in it.”

Then there’s “Life on the Moon” whose lyric “The life that I knew, it’s through…I’m alone in this crowded room…It’s like life on the moon” feels particularly fitting given how much Cook’s circumstances have changed since he auditioned for American Idol on a whim back in August 2007. “What I like about that song is that it represents the last year of my life without perverting the last year of my life,” he says. “It’s written so that it could be about the whole Idol journey, but it doesn’t have to be.”

Cook may have gotten his first taste of fame thanks to Simon, Paula, and Randy, but his musical ambitions began long before he appeared in front of their judging table. Born in Houston, Cook was raised in Blue Springs, Missouri. He began singing in second grade and performed in his school’s musical theater productions, but Cook found that rock and roll was more his style when he picked up a guitar at age 13. He formed his first band, Axium, at 15, though his attention was split between music and sports. “I thought I wanted to be a pro baseball player, but my fastball wasn’t fast enough and I couldn’t hit to save my life,” he says. “Performing was the only thing I ever felt I was great at.”

During his senior year of college at Central Missouri State, Cook recorded a solo CD called Analog Heart, which sold well regionally. In 2006, after obtaining a degree in graphic arts, Cook had to decide whether he wanted to be a musician or a graphic designer. “I gave myself every opportunity not to do music,” he says, “but it was always there. I couldn’t ignore it.” He moved to Tulsa, Oklahoma, and was in the early stages of recording his second album when his younger brother Andrew asked Cook to accompany him to Omaha and lend moral support while he tried out for American Idol. Andrew didn’t make the cut, but he encouraged a very reluctant David to try out. “He threatened to beat my *** if I didn’t, so it’s entirely his fault that all this happened to me,” Cook says with a smile.

One week after being declared the winner with a record-breaking 56 percent of the nearly 100 million votes cast, Cook rewrote chart history when 11 of his songs debuted on Billboard’s Hot 100 chart — the highest number of new entries in a single week by an artist since the Beatles in 1964. Topping the list was "The Time of My Life," which debuted at No. 3, making it the highest new entry on the Hot 100 of 2008. In July, Cook hit the road with his fellow Idol contestants for the American Idols Live! Tour, which visited more than 40 cities across the U.S. — an experience he cites as extremely valuable. “Being able to make a 16,000-seat arena feel intimate is one of the trickiest things to pull off,” he says. “If you can get the people in the nosebleed seats to feel as though they’re getting the same show as the people sitting front and center, then you're doing something amazing. That’s always going to be my goal.”

It shouldn’t be too tough given that Cook will be performing the songs on his debut album. Gutsy and epic, but grounded in the personal, the songs are tailor-made for those magical moments when music, whether it be uplifting or heart-breaking, can transport you to another place, which is exactly what Cook intended. “I want my album to be an exhausting experience, in that you listen to it and have to take a breath to collect yourself, and immediately need to listen to it all over again,” he says. “I want people to hear it and feel like they just ran a 5K marathon.”

Monday, November 3, 2008